Description

• Composers: Modest Mussorgsky (1839-1881), Camille Saint-Saëns (1835-1921), Wolfgang Amadeus Mozart (1756-1791), Otto Nicolai (1810-1849), Richard Strauss (1864-1949), Wilhelm Kienzl (1857-1941), Giuseppe Verdi (1813-1901), Giacomo Meyerbeer (1791-1864), Claude Debussy (1862-1918), Richard Wagner (1813-1883), Aribert Reimann (1936-2024), Pyotr Ilyich Tchaikovsky (1840-1893), Gioachino Rossini (1792-1862), Amilcare Ponchielli (1834-1886), Igor Stravinsky (1882-1971), Christoph Willibald Gluck (1714-1787)
• Editors: Peter Anton Ling, Marina Sandel
• Format: Vocal Score
• Instrumentation (this edition): Piano Reduction, Alto
• Originally for: Opera
• Binding: Paperback
• Work Language: German
• ISMN: 9790004184639
• Size: 9.1 x 12.0 inches
• Pages: 144

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Description

“Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors)

Works:

• Ahimè! Dove trascorsi? / Che farò senza Euridice from Gluck: Orfeo ed Euridice (Italian Version), Wq. 30
• Va, l’error mio palesa from Mozart: Mitridate, Re di Ponto, K. 87 (74a)
• Ah giacché son tradito / Son reo from Mozart: Mitridate, Re di Ponto, K. 87 (74a)
• Perché tacer degg’io? / Cara, lontano ancora from Mozart: Ascanio in Alba, K. 111
• Ah ! mon fils from Meyerbeer: Le prophète
• Ah! quel giorno ognor rammento from Rossini: Semiramide
• In sì barbara sciagura from Rossini: Semiramide
• Cruda sorte! from Rossini: L’Italiana in Algeri
• Mura felici / Oh quante lagrime from Rossini: La donna del lago
• Ballade vom Jäger Herne from O. Nicolai: Die lustige Weiber von Windsor (The Merry Wives of Windsor)
• Weiche, Wotan, weiche! from Wagner: Das Rheingold, WWV 86a
• Höre mit Sinn from Wagner: Götterdämmerung, WWV 86D
• Re dell’abisso affrettati from Verdi: Un ballo in maschera (A Masked Ball)
• Voce di donna from Ponchielli: La Gioconda
• Samson, recherchant ma présence from Saint-Saëns: Samson and Delilah, Op. 47
• Mon cœur s’ouvre à ta voix from Saint-Saëns: Samson and Delilah, Op. 47
• Gadan’e from Mussorgsky: Khovanshchina (Хованщина)
• Ach, Tanja, Tanja! from Tchaikovsky: Yevgeny Onegin (Eugene Onegin), ČW 5, Op. 24
• Johannes schläft from Kienzl: Der Evangelimann
• Voici ce qu’il écrit à son frère Pelléas from Debussy: Pelléas et Mélisande, CD 93, L 88
• Daphne! Wir warten dein from Strauss: Daphne, TrV 272, Op. 82
• As I was saying from Stravinsky: The Rake’s Progress (1951)
• Reimann: Was für ein Lärm from Bernarda Albas Haus